-The book is organized chronologically and divided by the artistic periods, beginning with The Mothers Of Invention (Zappa's first influential group) and ending with the Terry Bozzio albums an era identified by the presence of Zappa's greatest percussionist. Each of Zappa's albums is analyzed within these larger divisions, often scrutinized for entities as detailed as specific phrases, both musical and verbal. Sections on satire and politics bookend the sequential chapters, creating an excellent in-and-out to the chronological sections. To be sure, Lowe knows his Zappa, and he writes with an obvious affection for the subject, the artist, and the man. Frank Zappa is already important and respected part of music history. His reputation, influence, and contributions will continue to be more widely recognized, and ^IThe Words and Music of Frank Zappa^R is a publication sure to foster that growth. —Maximum Ink

-Ever wonder about the significance of the kazoo in ^IFreak Out!'^Rs Hungry Freaks, Daddy? Kelly Fisher Lowe will tell you his theory. In examining Frank Zappa, the author does everything short of having his subject turn to the side and cough, addressing album after album and song after song in Da Vinci Code detail. Sure, the readings are occasionally questionable, but this is exactly what makes the book--and Zappa himself--so interesting. —chart

-As part of a series on the work of singer-songwriters, this volume studies the music of Frank Zappa, looking at his songs as well as how he was a satirist. Lowe offers a reading of his rock and classical music from the 1960s to the 1980s, explores how Zappa was a satirist through his critique of pop culture, and analyzes his albums with the Mothers of Invention, as well as his jazz-rock and solo music, and political statements in the music on ^IJoe's Garage^R. —Reference & Research Book News