Advanced Search
Print - Close Window
www.greenwood.com/catalog/B9458.aspx
All Greenwood Products
Dialogues with Independent Filmmakers
Book Code: B9458
ISBN: 0-275-99458-9
ISBN-13: 978-0-275-99458-7
368 pages, photos
Praeger Paperback
Publication: 12/30/2007
List Price: $29.95 (UK Sterling Price: £16.95)
Availability: In Stock
Media Type: Paperback
Trim Size: 6 1/8 x 9 1/4
Subjects:
  • Endorsement From William Rothman
    Professor of Motion Picture and Video-Film
    University of Miami Author of Hitchcock: The Murderous Gaze:
    There is no other book quite like it. Mario Falsetto is a masterful interviewer who consistently elicits thoughtful responses pitched at precisely the right level.
Description: Few people have a true understanding of what it takes to get a feature film made and released. How does a film get from idea to finished product? How do film directors interact with other creative personnel such as actors, set designers, cinematographers, and editors? What is it like to work in the film industry in the twenty-first century? What is the relationship of the so-called "independent" filmmaker to the major Hollywood studios? Mario Falsetto's searching work provide answers to these questions through a collection of original career interviews with nine exciting film directors. The prestigious cast of directors interviewed in the course of this volume include: Anthony Minghella (The English Patient, Cold Mountain); Gus Van Sant (My Own Private Idaho, Good Will Hunting); Neil Labute (In the Company of Men, Nurse Betty); Julie Taymor ( Titus, Frida); John Dahl (The Last Seduction, Rounders); Sam Mendes (American Beauty, Road to Perdition); Alexander Payne ( About Schmidt, Sideways); Michael Polish (Northfork, Twin Falls Idaho) and Nancy Savoca (Dogfight, If These Walls Could Talk).The interviews reveal what factors led to their decision to make films, and focus on the creative output of each in in-depth and career-comprehensive dialogues. Each interview is preceded by a brief account of the director's background, and ends with a discussion of the current state of filmmaking. Along the way, the author gets at issues that are crucial to an understanding of the directors' work and creative processes. The book also includes a main introduction, individual introductions to each conversation, a conclusion, filmographies, and an index.
LC Card Number: 2007037157
LCC Class: PN1998
Dewey Class: 791
PDF Catalogs:
All rights reserved. Copyright © 1999-2008 Greenwood Publishing Group, Inc.
88 Post Road West, Westport CT 06881, (203) 226-3571