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Home
»
Catalog
» George Gershwin
Book flyer
MS Word
International
MS Word
George Gershwin
A New Biography
William G. Hyland
ISBN:
0-313-36150-9
ISBN-13:
978-0-313-36150-0
DOI:
DOI:10.1336/0313361509
312 pages
Praeger Publishers
Publication:
10/30/2008
List Price:
$25.00
(
UK Sterling Price: £17.95
)
Availability:
Print on demand
Media Type:
Paperback
Also Available:
Hardcover
Trim Size:
6 1/8 x 9 1/4
Subjects:
The Arts
»
Music (General)
The Arts
»
Classical Music
The Arts
»
Opera
Reviews:
[J]oins the ranks of several fine and industrious authors who have produced estimable efforts....[w]ritten in an accessible style that addresses a wide readership....[i]s a work of significant ambition
—Book Reviews
September 2004
William G. Hyland's biography ofsongwriter and composer George Gershwin is a detailed and very thorough one....William G. Hyland's biography of George Gershwin is clearly meant to eclipse the early biographies of the songwriter and to be the definitive one. He corrects the myths and errors about Gershwin in the earlier biographies and replaces them with facts.
—Magill Book Reviews
2004
[A]nyone curious about the new Gershwin scholarship will find this book to be an efficient starting point for further exploration.
—The New York Times Book Review
November 2, 2003
Starred Review
In this in-depth, well-researched biography, Hyland explores Gershwin's complex personality and his pioneering music....Hyland provides fresh insights on how Gershwin forged a link between jazz and the concert hall, new musical trends on Broadway in the 1920s, the composer's life and work in Hollywood, and his place in the pantheon of American music....Hyland explains how Gershwin became the first composer to apply popular music to classical forms and how his compositions reflected the restlessness of our country during the Jazz Age....a scrupulous portrait of a musical genius.
—Booklist
October 15, 2003
Starred Review
Previously, Gershwin biographers have been either hagiographic or unflattering. Hyland takes the middle of the road, and the Gershwin who emerges is both more complicated and more fascinating....This fresh and well-researched biography of one of America's great composers is highly recommended for all libraries.
—Library Journal
8/1/2003
[H]yland brings the scholar's approach. His documentation is superb, and he probes and assesses his sources, attempting to determine what actually happened: for example, the conflicting accounts of Gershwin's final illness. Hyland furnishes details of the life--personal and professional--and does a good job placing Gershwin's achievements in the context of his time....For comprehensive collections serving upper-division undergraduates through faculty.
—Choice
3/1/2004
Description:
Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without.
George Gershwin pioneered the crossover from Broadway musicals to concert audiences, culminating in what is arguably America's greatest opera,
Porgy and Bess
. In William G. Hyland's new biography, Gershwin's personality and music are reexamined. Hyland illustrates how the composer's craftsmanship was criticized and his music was relegated to the status of lowbrow for decades, until the relatively recent appreciation of his achievements.
Yet for all of his artistic brilliance, Gershwin was vulnerable and discontented in his personal life. Hyland reveals both the man and his creations, revealing how Gershwin became the first composer to apply popular music to classical forms, how his work reflected the turmoil of America in the Jazz Age, and how, despite his fame, he never achieved the happiness and contentment a genius of his stature deserved. This is a fascinating new biography that no Gershwin fan—and no music fan—should be without.
Table of Contents:
Preface
Introduction
Youth
Song Plugging
Musical Influences
Rhapsody in Blue
Jazz
Broadway
Lady Be Good and The Concerto
An American in Paris
Of Thee I Sing
Porgy and Bess
Hollywood
Personality
Keeping the Flame
American Music
Bibliography
Index
About the Author:
William G. Hyland
served a long career with the United States Government—at the White House, the State Department, and the NSC—and for ten years was the editor of
Foreign Affairs Quarterly
. He is the author of many works on international politics, as well as
The Song Is Ended: Songwriters and American Music, 1900-1950
and
Richard Rodgers
.
LCC Class:
780
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