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Whose Master's Voice? The Development of Popular Music in Thirteen Cultures
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Book Code: EWM/
ISBN: 0-313-27772-9
ISBN-13: 978-0-313-27772-6
272 pages, tables
Greenwood Press
Publication: 2/28/1997
List Price: $131.95 (UK Sterling Price: £75.00)
Availability: In Stock
Media Type: Hardcover
Also Available: Ebook
Trim Size: 6 1/8 x 9 1/4
Subjects:
Series Title: Contributions to the Study of Music and Dance
Series Number: 41
Description: What are the interactions between transnational communication and national cultures? This work attempts to answer this critical question in the study of culture and communication. It takes as its vehicle of study the music industry and music making in 13 different cultures, presenting an insider's view of a global cultural experience. Of interest to musicologists and sociologists alike, plus anyone fascinated by distant cultures and how they are affected by external as well as internal communication systems. The chapters are a collection of research findings produced for the International Communications and Youth Cultures Consortium (ICYC), an informal group of international scholars in many disciplines who are committed to understanding the economic and social factors that influence cultures and youth. Their point of view in this work is their individual country and the tensions that arise from the development of international communication systems. Each view is from inside the country; external influences are not subjects of study in themselves but are viewed as part of a complex scene along with other variables operating in various national situations.
Table of Contents:
  • Tables
  • Preface
  • Introduction
  • The Australian Rock Music Scene by Susanna Agardy and Lawrence Zion
  • Culture, Media and the Music Industry in Brazil by Nelly de Camargo
  • The English Experience by Alison J. Ewbank
  • Popular Music and the Music Industry in Greece by Fouli T. Papageorgiou
  • A Brief History of Music Production in Hawaii by Elizabeth B. Buck
  • Music in India: A Look at Something Different by Usha Vyasulu Reddy
  • The Israeli Musical Environment: Cultural Heritage and Sociocultural Change by Hanna Adoni
  • Local Musicians in Jamaica: A Case Study by Marlene Cuthbert and Avonie Brown
  • Interactions of Imported and Indigenous Musics in Japan: A Historical Overview of the Music Industry by Toru Mitsui
  • The Problem of Our Time: Culture or Industrial Culture? Musical Creation or Industrialized Musical Products? The Spanish Case by Blanca Munoz
  • Seeking the Best Integration: Popular Music in Taiwan by Georgette Wang
  • Visceral Vibes and a Place in the Sun: U.S. Popular Music by Deanna Campbell Robinson, Jack Banks, and Nancy Breaux
  • Uruguayan Popular Music: Notes on Recent History by Carlos Alberto Martins and Carlos Dumpiérrez
  • Index
LC Card Number: 95-46060
LCC Class: ML3470
Dewey Class: 781
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