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Mythology as Metaphor Romantic Irony, Critical Theory, and Wagner's Ring
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Mary A. Cicora
Book Code: GM0528
ISBN: 0-313-30528-5
ISBN-13: 978-0-313-30528-3
184 pages
Greenwood Press
Publication: 6/30/1998
List Price: $115.00 (UK Sterling Price: £65.00)
Availability: Out of stock
Media Type: Hardcover
Trim Size: 6 1/8 x 9 1/4
Subjects:
Series Title: Contributions to the Study of Music and Dance
Series Number: 46
Reviews:
  • The book should be welcomed for the author's knowledge regarding Wagner and his works and for the often convincing and stimulating she puts forth therein.
    —The German Quarterly
  • We can thank Mary Cicora for her insights into Wagner's refabrication of mythology and indebtedness to Romantic irony and for her thoughtful placement of Wagner in the center of a tradition stretching from Schiller to Brecht.
    —Opera Quarterly
  • Endorsement From Paul Robinson
    Professor of History, Stanford University
    Author, Opera and Ideas:From Mozart to Strauss:     Mary Cicora shows incisively how Wagner's Ring both enacts and deconstructs the aesthetic theory Wagner expounds in Opera and Drama. Her book is a rich and innovative contribution to our understanding of this central masterpiece of the century.
Description: This literary and critical approach to Wagner's Ring provides an original interpretation of the Ring tetralogy and challenges the standard political analyses of the work. The Ring is examined in the tradition of the Romantic drama as a reworking of Greek tragedy as theoretically expressed in the second part of Oper und Drama. In the Ring, using myth as a metaphor for history presents a paradoxical world. The innertextual reflection that Wotan performs in his monologue causes the Ring to self-destruct from within. He actually dismantles or deconstructs the text of the Ring. The doom of the gods happens because the Ring has undermined, unworked, and dismantled its system of signification. Studies of Wagner's theoretical writings and music-dramas have not emphasized aspects of his works within the tradition of German drama and aesthetic theory. This discussion of Wagner's revision of Greek tragedy in Oper und Drama, supplemented by an original interpretation of the Ring operas, places Wagner's writings within these realms. As a fresh interpretation of the Ring tetralogy, this valuable analysis will appeal to Wagner scholars and musicologists interested in Wagner's operas as well as to German cultural history and literary scholars.
Table of Contents:
  • Preface
  • Interpreting Wagner's Ring
  • Wagner, Romantic Irony, and Mythology
  • Mythology and Tragedy in Oper und Drama
  • Mythology and Hermeneutics: The Ring as Romantic Drama
  • Wotan's Monologue: Mythological Deconstruction
  • Wagnerian Deconstruction?
  • Selected Bibliography
  • Index
LC Card Number: 98-9606
LCC Class: ML410
Dewey Class: 782
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