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Bleep! Censoring Rock and Rap Music
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Betty Houchin Winfield, Sandra Davidson
Book Code: GM0705
ISBN: 0-313-30705-9
ISBN-13: 978-0-313-30705-8
142 pages
Greenwood Press
Publication: 5/30/1999
List Price: $110.95 (UK Sterling Price: £65.00)
Availability: Out of Stock Indefinitely
Media Type: Hardcover
Trim Size: 6 1/8 x 9 1/4
Subjects:
Series Title: Contributions to the Study of Popular Culture
Series Number: 68
Reviews:
  • The book's careful documentation and selected bibliography will be an excellent resource for those beginning a study of this issue.
    —Choice-Humanities
  • Whether one has interest in currently popular music or not, this book still makes interesting reading.
    —Media Ehtics     Fall 2002
  • There is no doubt that the censorship of music is an important issue for media scholars to address.
    —Journalism History
Description: Examining the various boundaries of American artistic tolerance, chapters address the societal and legal responses to rock and rap music. Artistic expression has historically clashed with mainstream views, resulting in apprehension acted upon internally and externally, especially when expression is aimed toward children or young adults. This work studies the mass media content and programming in network television, Rolling Stone magazine, and the New York Times reviews and spot news concerning rock and rap music. The National Endowment for the Arts, the FCC, and the music industry's internal responses to parents and adults are discussed as well. Inhibitions and censoring, it is argued, stem from adult concerns for a healthy functioning society and from anxiety about the impact of sexual explicitness and uncontrolled behavioral expression on adolescents. This work attempts to explain why societal intolerance has a pattern of limiting the lyrics and sounds of rock and rap music. Uniquely combining both societal and legal viewpoints on censorship of America's popular music culture, these essays address issues of concern to various scholars including those studying mass media, censorship, and American popular culture. Legal appendices are included as useful references, such as the National Endowments for the Arts Obscenity and Rejections Sections.
Table of Contents:
  • "Let Me Count the Ways": Censoring Rock and Rap Music by Betty Houchin Winfield
  • From A Fine Romance to Good Rockin' - and Beyond: Look What They've Done to My Song, Ma by Michael J. Budds
  • Because of the Children: Decades of Attempted Controls of Rock and Rap Music by Betty Houchin Winfield
  • Two Perspectives on Ice-T: "Can't Touch Me": Musical Messages and Incitement Law by Sandra Davidson
  • The Politics of Aesthetic Response: Cultural Conservatism, the NEA and Ice-T by David Slayden
  • Stern Stuff: Here Comes the FCC by Sandra Davidson
  • Music Lyrics: As Legally Censored As they Wanna Be by Jeffrey L. L. Stein
  • "Let's Spend the Night Together," Uhhh, "Some Time Together,"Making Rock Acceptable: "The Ed Sullivan Show" by Stephen H. Wheeler
  • Rolling Stone's Response to Attempted Censorship of Rock 'n' Roll by Lindsey R. Fore
  • Deconstructing the Hip-Hop Hype: A Critical Analysis of The New York Times' Coverage of African-American Youth Culture by Patrick B. Hill
  • Selected Bibliography
  • Index
LC Card Number: 98-15302
LCC Class: ML3534
Dewey Class: 306
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